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6/6/2013

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IN THIS NEWSLETTER

Critical Mass 2013: Now Open!

The Jurors

"Then. Now. Here." visits Bend, Oregon

 

 

 

 

  

 

Critical Mass 2013: Now Open!

 

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From Critical Mass 2012: Tamas Dezso, K.K. DePaul, Urszula Tarasiewicz, Monica Denevan, Sarah Cusimano Miles

 

Photolucida is pleased to announce the opening of our 10th Annual Critical Mass program. Through Critical Mass, Photolucida works to connect photographers with meaningful opportunities in the gallery, publishing, and editorial worlds. With 200+ well-respected jurors representing a range of genres and affiliations, Critical Mass is a fantastic vehicle for exposure. This year, we're happy to announce three (yes, three!) solo exhibition awards. Blue Sky Gallery, the Center for Fine Art Photography, and the Griffin Museum of Photography will each present a solo exhibition by Critical Mass finalists. Photolucida will contribute funding to support exhibition and/or shipping expenses for solo exhibition artists.

 

Excited yet?

 

Read some success stories from past participants, then head on over to register. We look forward to seeing your work! 

 

 

"Being in the Top 50 is an incredible honor and thrill for me. I am preparing for a show which was a direct result of being a Finalist last year when Hamidah Glasgow of Center for Fine Art Photography offered me the solo show in her comments...I will keep you updated as so many good things are happening. I remember meeting you [Laura Moya] for the first time in Atlanta and you told me to "keep at it." Words of wisdom I have followed. I said at the time "Photolucida was the gold standard" and I continue to hold that opinion. Thank you for Photolucida and all you have done for me and our community. It is very much appreciated."

- Susan Barnett, past Critical Mass participant

 

 

 

 

 

 

 

 

 

The Jurors

 

We work hard to bring together an international group of industry professionals to jury Critical Mass each year. The jury represents a broad range of gallerists, curators, publishers, and photo editors - all looking to "discover" new work for their venues and publications. Our juror list reflects the strength of Critical Mass programming, now in its tenth year. The more opportunities we can provide for photographers, the better! Take a look:

 

PUBLISHERS

Alexa Becker, Acquisitions Editor, Kehrer Verlag Publishers; Maggie Blanchard, Director, Twin Palms Publishing; Paul Buckley, VP Executive Creative Director, Penguin Books; Bridget Coaker, Director of Photography, Troika Editions; Luca Desienna, Editor, Gomma Books Ltd.; Michael Itkoff, Co-Founder, Daylight Books & Daylight Digital; John Jenkins, Publisher, DECODE Books; Dewi Lewis, Founder & Publisher, Dewi Lewis Publishing; Brian McMullen, Senior Art Director & Editor, McSweeney's; Melanie McWhorter, Book Division Manager, photo-eye Books & Prints; Blue Mitchell, Founding Editor, Diffusion Magazine; Stephen Perloff, Founder, Editor, Photo Review; Chris Pichler, Publisher, Nazraeli Press; Rixon Reed, Founder/Director, photo-eye & Art Photographer Index; Maarten Schilt, Founder, Schilt Publishing; Gordon Stettinius, Owner/Publisher, Candela Books + Gallery

 

CURATORS

Kyohei Abe, Director & Chief Curator, Detroit Center for Creative Photography; Alexandra Athanasiadou, Development & International Relations, Thessaloniki Museum of Photography; Nathalie Belayche, Curator, Food For Your Eyes, Paris; Elizabeth Biondi, Independent Curator; Howard Bossen, Photography Curator, Michigan State University Museum; Leslie K. Brown, Independent Curator; Alessandra Capodacqua, Curator, Studio Marangoni Foundation; Sean Corcoran, Curator of Prints & Photographs, Museum of the City of New York; Kathryn Del Boccio, Assistant Curator, Wilson Centre for Photography; Jon Feinstein, Co-Founder & Curatorial Director, Humble Arts Foundation; Ellen Fleurov, President, Ellen Fleurov & Associates; Roy Flukinger, Research Curator of Photography, Harry Ransom Center; Harris Fogel, Director, Sol Mednick Gallery & Gallery 1401, University of the Arts; Hannah Frieser, Independent Curator; Jens Friis, Curator, Museet for Fotokunst Brandts; Christian Gerstheimer, Curator, El Paso Museum of Art; Fabian Goncalves Borrega, Exhibit Coordinator, Art Museum of the Americas; Yumi Goto, Curator, Reminders Photography Stronghold Gallery; David Haverstich, Curator of Photography, Archives Center, National Museum of American History; Lisa Hostetler, Curator of Photographs, Smithsonian American Art Museum; Jessica Johnston, Assistant Curator, George Eastman House; Dennis Kiel, Chief Curator & Interim Executive Director, The Light Factory; Michelle Lamuniere, Assistant Curator of Photography, Harvard Art Museums; Yan Li, Curator, Beijing High Noon Culture & Art Corporation, People's Photography; Walter Mason, Curator of Photographs, Haggerty Museum of Art at Marquette University; Nadje Masri, Independent Photo Editor/Consultant/Educator; Richard McCabe, Curator of Photography, Ogden Museum of Southern Art; Jessica McDonald, Chief Curator of Photography, Harry Ransom Center, University of Texas at Austin; Claire Annette Mussard, Curator/Consultant; Tony Nolan, Associate Director, Exhibitions, Australian Center for Photography; Ann Pallesen, Gallery Director, Photographic Center Northwest; Chantel Paul, Assistant Curator, Museum of Photographic Arts; Madeline Yale Preston, Independent Curator; Kirsten Rian, Independent Curator; Becky Senf, Assistant Curator of Photography, Center for Creative Photography; Mark Sloan, Director & Senior Curator, Halsey Institute of Contemporary Art, College of Charleston; Sujong Song, the Photography Museum, Seoul; Christina Spielvogel, Blue Sky Gallery Exhibition Committee; Paula Tognarelli, Executive Director/Curator, Griffin Museum for Photography; Lisa Volpe, Assistant Curator, Santa Barbara Museum of Art; Katherine Ware, Curator of Photography, New Mexico Museum of Art; Roger Watson, Curator, Fox Talbot Museum; Francine Weiss, Curator, Photographic Resource Center; Ellen K. Willas, Owner/Director, PUG, Oslo; Clint Willour, Curator, Galveston Arts Center; Natalie Zelt, Independent Curator; Del Zogg, Manager, Works on Paper Study Center, Museum of Fine Arts, Houston

 

GALLERISTS

Paul Amador, Director, Amador Gallery; Jayne H. Baum, Founder/Director, JHB Gallery; Lisa Berry, Curator, Pictura Gallery; Lars Boering, Curator, LUX Photo Gallery; Daniel Cooney, Director, Daniel Cooney Fine Art; Elizabeth Corden, Co-Director, Corden-Potts Gallery; Karen Davis, Co-Director, Davis Orton Gallery; Gemma De Santos, Gallery Director, De Santos Gallery; Jennifer DeCarlo, Director, JDC Fine Art; Crista Dix, Founding Director, wall space Gallery; Catherine Edelman, Owner & Director, Catherine Edelman Gallery; Michael & Chelsea Vincent Granger, Co-Directors, LightBox Photographic Gallery; Mindaugas Kavaliauskas, Director, Kaunas Photo/F Galerija; Arlette Kayafas, Founding Director, Gallery Kayafas; R. Stuart Keeler, Director/Curator, Art Gallery of Mississauga; Eric J. Keller, Founding Director, Soulcatcher Studio; Anne Kelly, Associate Director, photo-eye Gallery; Debra Klomp Ching, Owner, Klompching Gallery; Paul Kopeikin, Curator & Director, Kopeikin Gallery; Gwen Lafage, Owner, Carte Blanche Gallery; Sam Lee, Founder/Director, Sam Lee Gallery; Michael Mazzeo, Director, Mazzeo Projects; Dina Mitrani, Founding Director, Dina Mitrani Gallery; Jan Potts, Co-Director, Corden-Potts Gallery; Dana Salvo, Owner, Clark Gallery; Danny Sanchez, Gallery Manager, Modernbook Gallery; Tina Schelhorn, Director, Galerie Lichtblick; Martha Schneider, Director, Schneider Gallery, Inc.; Randall Scott, Founder/Director, Randall Scott Projects; Mark Sink, Director, Gallery Sink; Claire Sykes, Partner/Co-Director, Circuit Gallery 

 

EDITORIAL

Anna Alexander, Photo Director, Dwell Magazine; Daphné Anglès, European Photo Coordinator, New York Times Paris Bureau; Daniel Augschoell, Editor, Ahorn Magazine; Elizabeth Avedon, Curator & Writer, Le Journal de la Photographie; Simon Bainbridge, Editorial Director, British Journal of Photography; Pete Brook, Writer, Prison Photography & Wired.com; Susan Burnstine, Columnist, Black and White Magazine; Clinton Cargill, Associate Photo Editor, New York Times Magazine; Darren Ching, Co-Owner, Klompching Gallery & Creative Director, PDN Magazine; Alyssa Coppelman, Independent Photo Editor; Christophe Dillinger, Editor, Square Magazine; Eugénie Frerichs, Art Buyer, Wieden + Kennedy; Kathleen Klech, Photography Director, Conde Nast Traveler; Claire O'Neill, Multimedia Producer, National Public Radio; Krista Prestek, Senior Photo Editor, GQ; Arianna Rinaldo, Director, OjodePez Magazine; Conor Risch, Senior Editor, Photo District News (PDN); Miriam Romais, Executive Director & Editor, En Foco; Pieter Wisse, Founder/Editor, 500 Photographers; Manfred Zollner, Managing Editor, fotoMAGAZIN

 

PLUS

Peggy Sue Amison, Artistic Director, Sirius Arts Center; Regina Anzenberger, Founder, Anzenberger Agency; Linda Connor, Photographer & Educator; Bevin Bering Dubrowski, Executive Director, Houston Center for Photography; Daniel Echevarria, Editor, One One Thousand; JJ Estrada Toledo & Clara de Tezanos, Directors, GuatePhoto; Nancy Farese, Founder, PhotoPhilanthropy; Taj Forer, Co-Founder, Daylight Magazine; David Andrew Frey, Founder & Director, Culturehall; Christine Gates, Publicity Officer, Ballarat International Foto Biennale; Christopher Gianunzio, Assistant Director, Philadelphia Photo Arts Center; Hamidah Glasgow, Executive Director, Center for Fine Art Photography; Lydia Hess, Art Director/Designer, Amber Lotus; Tricia Hoffman, Executive Director, Newspace Center for Photography; Jason Houston, Principle, Take One Creative; Tsuyoshi Ito, Program Director, Project Basho/ONWARD; Ann Jastrab, Director, Rayko Photo Center; Laura Valenti Jelen, Outreach Director, Photolucida; Rupert Jenkins, Executive Director, Colorado Photographic Arts Center; Peter Johnson, Founder, Captured Global; Gregory Eddi Jones, Founding Editor, In the In-Between; Joni Kabana, Joni Kabana Photography, Photolucida Board; Shane Lavalette, Director, Light Work; Stu Levy, Photolucida Board, Portland Art Museum Photography Council; Ryan Libre, Director, Documentary Arts Asia; Celina Lunsford, Director, Fotografie Forum International, Frankfurt; Stephen Mayes, Visual Entrepreneur; Lesley Meyer, Photo Editor & Archivist, Annenberg Space for Photography; Kevin Miller, Director, Southeast Museum of Photography; Laura Moya, Director, Photolucida; Joaquim Paiva, Collector; Laura Pressley, Executive Director, Center; Irma Puttonen, Executive Director, Photographic Center Nykyaika/Backlight Photo Festival; Shawn Records, Photolucida Board; Mary Anne Redding, Photography Department Chair, Santa Fe University of Art & Design; Ariel Shanberg, Executive Director, Center for Photography at Woodstock; Nadya Sheremetova, Director, FotoDepartament Foundation; Mary Virginia Swanson, Consultant & Educator, M.V. Swanson & Associates; J.D. Talasek, Director, Cultural Programs of the National Academy of Sciences; Jordan Tate, Founding Editor, ILikeThisArt.net

 

New jurors are still being added! Check here for an updated list.

 

 

 

 

 

 

In Other News: "Then. Now. Here." Slideshow Hits the Road

 

Then. Now. Here. 2013

"Then. Now. Here." 2013. Images by Stuart L. Gordon, Teri Fullerton, Keri Friedman

 

We're traveling to Oregon's high desert country to put on a special screening of "Then. Now. Here." this month. Join us in beautiful Bend, Oregon!

 

Location: Cascade Center for Photography (390 SW Colombia St. #110, Bend, Oregon)

Date/Time: Thursday, June 27, 7-9pm

 

ABOUT THE SHOW

Then. Now. Here. is a slideshow celebration of Oregon - its people, its landscape, its unique character and special history. Curated by Oregonian photographer Motoya Nakamura, the slideshow includes images by contemporary photographers paired with historic images of the beautiful state we call home.

 

Selected Photographers

Ann Kendellen, Aaron Cohen, Adam Wayda, Ashely Anderson, Bethany McCamish, Bill Purcell, Britt Boyles, Brittany Chavez, Carol Isaak, Chris Rauschenberg, Christopher Onstott, Dennis DeHart, Don Klover, Doug Prior, Edis Jurcys, Erica Mitchell, EugÄ—nie Frerichs, Fergus Firth, Gene Faulkner, Ginny Ducale, Hillary Atiyeh, Jane Johnson, Jasmine Swisher, Jen Vaughn, Jenna Gersbach-King, Jennifer Jansons, Jim Henderson, John Montague, Jordan Lacsina, Josh Zirschky, Justin Miller, Kate Ampersand, Keri Friedman, Kevin McConnell, Kristy Hruska, Larry Wright, LE Baskow, Leah Nash, Lorraine Richey, Marico Fayre, Martina Maffini, Mary Grout, Michael Schoenholtz, Michael Mitarnowski, Michael Durham, Myles Katherine, Nicole McLaughlin, Raina Stinson, Rebecca Evans, Robert Pallesen, Rupert Jenkins, Sandee McGee, ï»¿ Steven Beckly, Steven Rockoff, Stuart L. Gordon, Stu Levy, Teri Fullerton, Theresa Meier, Thomas Homolya, Wayne Bund, Zack Jones.

 

 

 

 

 

 

 

 

Photolucida is a 501(c)(3) arts nonprofit. Our mission is to provide platforms that expand, inspire, educate, and connect the regional, national, and international photography community. 

 

Photolucida's programming is supported in part by grant funding. Thanks to the Kinsman Foundation for a recent grant to support Photolucida's Photography Resources Program! 

 

Visit us online at www.photolucida.org

 

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Berliner Liste 2013

6/6/2013

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June 04, 2013

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BERLINER LISTE

© Berliner Liste.

New at BERLINER LISTE 2013:
the Photography Section

Deadline for application: June 30, 2013

BERLINER LISTE
Bundesallee 88
12161 Berlin

T 49 30 77008993
F 49 30 77008995
[email protected]

www.berliner-liste.org

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The BERLINER LISTE will be held from September 19th to 22nd, 2013 for the tenth time. As a discoverer's fair for contemporary art, the BERLINER LISTE focusses particularly on exciting international galleries and artists that enrich the art market with their current work and are very interesting for collectors. 

This year, the BERLINER LISTE offers up an international platform for photography in Berlin with the new Photography Section. With its long traditions in photography and its many exhibition halls, Berlin plays a significant role in the photography world—more than enough reason to open up an exhibition section dedicated to the discipline.

The Kraftwerk Berlin, with its unique, urban ambience releases sacral qualities with its huge, high ceilings. The industrial monument offers an incomparable architectural stage to exhibit classical photography as well as exiting new tendacies. 

The Photography Section will be given visual prominence within this year's exhibition space and be readily identifiable. The section is expected to attract many photography lovers and collectors. 

Curator Stephan Köhler is Project Manager of the Photography Section and will put together an impressive programme of international galleries and foundations exclusively focused on photography. Among the additional features is the awarding of the Peter C. Schlüschen sport photography prize (endowed with 10.000 EUR). Intensive press work and a notable marketing budget will ensure the necessary media attention.

Artists, galleries and project spaces can apply online until June 30th, 2013. Please do not hesitate to contact us via email or telephone +49 (0)30 77 008 993. As regards artistical photo content, we can also put you in direct contact with our curator, Stephan Koehler—just drop us an email and we forward it to him.

We are looking forward to your application!

Warm regards,
Jörgen Golz
Managing Director

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The Firecracker Photo Grant

6/6/2013

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The Firecracker Photographic Grant 2013


Call for applications

Now in it's second year, the Firecracker Photographic Grant will provide at least £1,000 in funding for a female photographer to aid with the completion of a documentary photographic project. Applications will be welcomed from women photographers born or residing in Europe and submissions judged by a panel of industry specialists from a cross section of disciplines & sectors.

The Grant will be awarded to a photographer based on the strength of visual portfolios and artist statements submitted. 
Applications to the Grant are now open, subject to a £10.00 application fee. 100% of the revenue received from submissions will be combined with previously raised funds and invested into the Grant funding. The Grant recipient will be announced in September 2013.

APPLY NOW 



supported by Genesis Imaging

 

 

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Px3 Photo Competition

5/29/2013

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eNews

 

Artists

Exhibitions 

Events  

Institutions

 

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7TH ANNUAL PX3 PHOTO COMPETITION

 

 

SUBMIT YOUR WORK NOW! - 7th Annual Px3 Photo competition

 

The “Prix de la Photographie, Paris” (Px3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. As one of the most important Photography awards, Px3 Winning photographs are displayed in Paris and published in the high-quality, full-color Px3 Annual Book.

 

FULL CONTEST DESCRIPTION

 

Contest Deadline
May 31, 2013

Px3 Categories
Advertising Photojournalism, Book, Book Proposals, Fine Art, Nature and Portraiture.

Winner Selection
Juried by leading editors, publishers, curators, gallery owners, consultants, creative directors, and art directors, Px3 brings the best of photography from across the globe to Paris.

More information
http://px3.fr/en/index.html

 

 

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© 28 May 2013 photography-now.com
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected]
T +49.30.24 34 27 80

 

 

 

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The Cord Prize

5/29/2013

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Two technical points for applicants

  • A few artists have asked if there is a final 'SUBMIT' button to click after uploading their images and texts. In fact there is none, once you have uploaded your material it is there for the jurors to see, but remains editable until the deadline. If you wish to edit the text on a specific image I am afraid you will need to delete that image and re-upload.
  • More importantly, a handful of artists have had issues uploading their images. We are still investigating this, but in the meantime we have reduced the maximum sizes to 1500 pixels on the longest side and a 1mb file size. We believe the larger sizes we initially specified could be causing problems. 

Please be reassured that we will not proceed to shortlisting and selections until all such errors are resolved and all applicants' submissions are correct. 

There are just 10 days to go until submissions close for this inaugural Cord Prize. Don't miss it.


Best wishes

EA Lindsay
The Cord Prize



 

                                                                                                                  Supported by





 

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The inaugural Cord Prize – Contemporary art photography

5/28/2013

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deadline 9th June

 

The Cord Prize, is a new international contemporary art award established to support and acknowledge the practice of early and mid-career visual artists. The award comprises an individual first prize of $10,000, second prize of $1,000, and third prize of $500. Additionally, twenty-two artists will be selected for online exhibition and a piece of writing will be commissioned from the award jurors.

 

 

The inaugural Cord Prize – Contemporary art photography

 

Photography has become a universally accepted, unchallenged, medium of contemporary art. Concomitantly, photography’s capacity to influence our everyday lives has become exponentially important with the ubiquity of visual social media and the opening up of the possibilities for us to communicate and disseminate our photographic images independently of institutional support. It could be said that the ubiquity which photography has achieved, its establishment in the contemporary art canon, is both a blessing and a problem – marking a new beginning, a place to start from all over again, yet more challenging than ever to make meaningful photographic work that resonates in cultural spaces and will endure. The inaugural Cord Prize invites early and mid-career artists who are working within the field of photography to apply.

 

 

The brief

 

Against this setting, applicants to the inaugural prize are invited to submit up to 16 images of current work from a wholly or partially photo-based practice, using any photographic process or medium. Applications should be accompanied by a resume, and text of up to 400 words detailing the artist's research and practice. Applicants may also wish to contextualise their work within what they see as the significant cultural issues at play within contemporary art photography.

 

Submissions close at midnight (GMT) on 9th June 2013.

 

 

Jurors

Diana Edkins

Charlotte Cotton

 

 

We are extremely pleased and excited to announce the jurors for this first edition of the award are the hugely respected and admired curators and writers Diana Edkins and Charlotte Cotton.

 

The jurors’ selection will be announced approximately two weeks after the deadline.

 

 

About

 

The Cord Prize, established by UK games industry veteran EA Lindsay, will be followed later in the year by the launch of CordContemporary, an online only gallery, presenting a portfolio of invited artists, partially selected from submissions to the various editions of the award. The ambition of CordContemporary is to establish the online gallery, with a programme of exhibitions supported by critical writing and serious curatorial practice, as a viable cultural presence; and a place to look forward to visiting as one would a physical gallery.

 

The Cord Prize will be awarded twice-annually, alternating focus on specific disciplines, with curated themes and critical surveys; and with photo-based practice as a recurring thread.

 

 

Supported by

 

 

 

 

 

 

 

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Inaugural Award

5/7/2013

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SUBMISSIONS ARE OPEN

Thank you all for your patience while we resolved technical issues with our image-upload system.

We are very pleased to say all is resolved and submissions are now open.

The deadline is now 9th June 2013

Best wishes

EA Lindsay
The Cord Prize



 

                                                                                                                  Supported by






 

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ACMV Spectacle | Call for Entries

5/3/2013

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Picture
Spectacle | Call for EntriesPosted on Mai 2, 2013 by ACMV

ACMV is now accepting photographic submissions based under the broad theme “Spectacle”.

Selected submissions will be presented in a one-time public projection at the Belfast Crescent Arts Centreduring the opening weekend of the International Belfast Photo Festival 2013 in Northern Ireland, taking place this June.

–

About the themeThroughout history ‘Spectacle’s created visually stimulating and enthralling trappings that continue to capture the attention of mankind, manifesting in many forms both natural and man-made.

Our broad definition includes spectacle in otherness, suffering, death, beauty, decay and subjects that are enlivened by the act or process of photography itself, as well as our desire for the visually enticing image, that moment which excites, exhilarates and entices the curiosity of the viewer.

Recognising that ‘Spectacle’ sits at the very heart of photography’s identity and history, we invite photographers to submit photographic projects that interrogate, challenge and extend notions of visual spectacle.

The second edition of Belfast Photo Festival aims to explore the manner in which photographers have photographed ‘Spectacles’ in their many forms, seizing the opportunity to record their intense visual impact, demonstrating the fundamental relationship between the ‘Spectacle’, its viewer and photography itself.

We welcome entries from professional, student and amateur photographers both nationally and internationally, being keen to support all disciplines of photographic practice.

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Submission Guidelines
  • Please send a maximum of 7 images (jpeg format / 72dpi / 900px on the longest side)* in a zipped file tohello (at) actualcolorsmayvary (dot) com, with the subject line “Spectacle Submission”
  • Please name your images as follows: LastName_FirstName_01.jpg
  • In case the images are part of a series, please include a text file with your statement
*In case your work is selected, we will ask for higher resolution images.

Deadline for entries is May 11th 2013, midnight CEST.

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Express Yourself / open call

5/3/2013

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May 03rd, 2013

5/3/2013

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